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Cutting Loose ~ A Tribute To William Stafford

by Daniel Austin Sperry

/
1.
Malheur before Dawn An owl sound wandered along the road with me. I didn’t hear it–I breathed it into my ears. Little ones at first, the stars retired, leaving polished little circles on the sky for awhile. Then the sun began to shout from below the horizon. Throngs of birds campaigned, their music a tent of sound. From across a pond, out of the mist, one drake mad a V and said its name. Some vast animal of air began to rouse from the reeds and lean outward. Frogs discovered their national anthem again. I didn’t know a ditch could hold so much joy. So magic a time it was that I was both brave and afraid. Some day like this might save the world. –William Stafford
2.
Spirit of Place: The Great Blue Heron by William Stafford Out of their loneliness for each other two reeds, or maybe two shadows, lurch forward and become suddenly a life lifted from dawn or the rain. It is the wilderness come back again, a lagoon with our city reflected in its eye. We live by faith in such presences. It is a test for us, that thin but real, undulating figure that promises, “If you keep faith I will exist at the edge, where your vision joins the sunlight and the rain: heads in the light, feet that go down in the mud where the truth is.”
3.
A Ritual to Read to Each Other BY WILLIAM E. STAFFORD If you don't know the kind of person I am and I don't know the kind of person you are a pattern that others made may prevail in the            world and following the wrong god home we may miss            our star. For there is many a small betrayal in the mind, a shrug that lets the fragile sequence break sending with shouts the horrible errors of           childhood storming out to play through the broken dike. And as elephants parade holding each           elephant's tail, but if one wanders the circus won't find the           park, I call it cruel and maybe the root of all cruelty to know what occurs but not recognize the fact. And so I appeal to a voice, to something          shadowy, a remote important region in all who talk: though we could fool each other, we should          consider— lest the parade of our mutual life get lost in the dark. For it is important that awake people be awake, or a breaking line may discourage them back to           sleep; the signals we give — yes or no, or maybe — should be clear: the darkness around us is deep.
4.
What Happens When You Get Lost By William Stafford Out in the mountains nobody gives you anything. And you learn what the rules were after the game is over. By then it is already night and it doesn’t make any difference What anyone else is thinking or doing because now you have to Turn into an Indian. You remember stories and now you know that the tellers were Part of all they told. And everyone else was, and even you. They’re all around you now, but if you’re afraid you will never find them. And those questions that people always ask- “What would you do if…” They have their own answer right now- nothing. Some things cannot be redeemed in a hurry no matter what the intentions are. What could be done had to have been done a long time ago. Because mistakes have consequences that do not just disappear. If evil could be canceled easily it would not be very evil. And so, the stars see you. While you drift away they have their own courses and they watch you. And listen, they already know your name.
5.
A Story That Could Be True (William Stafford) If you were exchanged in the cradle and
your real mother died
without ever telling the story
then no one knows your name,
and somewhere in the world
your father is lost and needs you
but you are far away. He can never find
how true you are, how ready.
When the great wind comes
and the robberies of the rain
you stand on the corner shivering.
The people who go by–
you wonder at their calm. They miss the whisper that runs
any day in your mind,
“Who are you really, wanderer?”–
and the answer you have to give
no matter how dark and cold
the world around you is:
“Maybe I’m a king.”
6.
Emily, This Place, and You. by William Stafford She got out of the car here one day, 
and it was snowing a little. She could see 
little glimpses of those mountains, and away down 
there by the river the curtain of snow would 
shift, and those deep secret places looked 
all the more mysterious. It was quiet, you know. Her life seemed quiet, too. There had been troubles, 
sure – everyone has some. But now, looking out there,
 she felt easy, at home in the world – maybe like 
a casual snowflake. And some people loved her. She would remember that. And remember this place. As you will, wherever you go after this day, 
just a stop by the road, and a glimpse of someone’s life, 
and your own, too, how you can look out any time, 
just being part of things, getting used to being a person, 
taking it easy, you know.
7.
The Way It Is There’s a thread you follow. It goes among things that change. But it doesn’t change. People wonder about what you are pursuing. You have to explain about the thread. But it is hard for others to see. While you hold it you can’t get lost. Tragedies happen; people get hurt or die; and you suffer and get old. Nothing you do can stop time’s unfolding. You don’t ever let go of the thread.
8.
"Are you Mr. William Stafford?" "Yes, but...." Well, it was yesterday. Sunlight used to follow my hand. And that's when the strange siren-like sound flooded over the horizon and rushed through the streets of our town. That's when sunlight came from behind a rock and began to follow my hand. "It's for the best," my mother said—"Nothing can ever be wrong for anyone truly good." So later the sun settled back and the sound faded and was gone. All along the streets every house waited, white, blue, gray: trees were still trying to arch as far as they could. You can't tell when strange things with meaning will happen. I'm [still] here writing it down just the way it was. "You don't have to prove anything," my mother said. "Just be ready for what God sends." I listened and put my hand out in the sun again. It was all easy. Well, it was yesterday. And the sun came, Why It came.
9.
Easter Morning Maybe someone comes to the door and says, "Repent," and you say, "Come on in," and it's Jesus. That's when all you ever did, or said, or even thought, suddenly wakes up again and sings out, "I'm still here," and you know it's true. You just shiver alive and are left standing there suddenly brought to account: saved. Except, maybe that someone says, "I've got a deal for you." And you listen, because that's how you're trained--they told you, "Always hear both sides." So then the slick voice can sell you anything, even Hell, which is what you're getting by listening. Well, what should you do? I'd say always go to the door, yes, but keep the screen locked. Then, while you hold the Bible in one hand, lean forward and say carefully, "Jesus?"
10.
You and Art 03:33
William Stafford—You and Art You and Art Your exact errors make a music that nobody hears. Your straying feet find the great dance, walking alone. And you live on a world where stumbling always leads home. Year after year fits over your face— when there was youth, your talent was youth; later, you find your way by touch where moss redeems the stone; and you discover where music begins before it makes any sound, far in the mountains where canyons go still as the always-falling, ever-new flakes of snow. —William Stafford
11.
You Reading This, Be Ready Starting here, what do you want to remember? How sunlight creeps along a shining floor? What scent of old wood hovers, what softened sound from outside fills the air? Will you ever bring a better gift for the world than the breathing respect that you carry wherever you go right now? Are you waiting for time to show you some better thoughts? When you turn around, starting here, lift this new glimpse that you found; carry into evening all that you want from this day. This interval you spent reading or hearing this, keep it for life – What can anyone give you greater than now, starting here, right in this room, when you turn around? William Stafford
12.
Cutting Loose By William Stafford (1914-1993) Sometimes from sorrow, for no reason, you sing. For no reason, you accept the way of being lost, cutting loose from all else and electing a world where you go where you want to. Arbitrary, a sound comes, a reminder that a steady center is holding all else. If you listen, that sound will tell you where it is and you can slide your way past trouble. Certain twisted monsters always bar the path - but that's when you get going best, glad to be lost, learning how real it is here on earth, again and again.

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A compilation of poetry by William Stafford, spoken by Daniel Sperry, with accompanying music composed by Daniel. Features cello, piano, banjo, upright bass, guitar, and pedal steel

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released October 13, 2015

Producer - Daniel Sperry, Engineer - Tim Britton, additional instruments, guitar, pedal steel, and upright bass - Jon Estes, Cover photo - John Simpkins, Album Art - Dennis Schmidling, Permissions from the Estate of William Stafford.

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Daniel Austin Sperry Ashland, Oregon

Daniel Sperry is an innovative, genre-stretching cellist, composer, and evocateur from Ashland, OR, who specializes in creating Musical Portraits for individuals as markers for special occasions and as gifts for loved ones. He performs all over the country in house concerts featuring these portraits, the poetry of Rumi, Hafiz and others along with his original music, opera arias, and standards. ... more

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